I realized I have not been including Men's Fashion in my blog!
So I decided to include some of my favorite
Junya Watanabe- Spring/Summer 2010 -Paris.
Two things called my attention to this collection:
1. The variation of hat styles.
Every model walked down the runway wearing a hat!
2. The combination of fabrics.
Also, vests and hats are always classy!
It would be nice to see more men wearing them everyday!
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Featured Artist-
This weeks featured fashion creator is located in London, England. Ozzana began creating at a young age. "My first creations were rag dolls and outfits for them. Making simple clothes and accessories such as hats and bags for my sister and myself followed shortly."
Her Etsy shop is made up of 'one of a kind' unique creations. I also loved the detail her items contain, whether it be machine embroidery, cutout, or applique.
She claims she is stuck in the 1920's. She loves the straight, clear, definite design and functionality of the period.
She is a fan of Chanel's "little black dress".
Coco Chanel 
Chanel's concept of the "little black dress" was ahead of it's time. Her radical trend of the black dress was the first time black clothing was used, and not designed for a funeral.
Inspiration
"Architecture, art movements, nature, music, films..... My current collection was inspired by Scottish Art Nouveau artist and architect Charles Rennie Mackintosh – his stained glass windows creations and decorative railings in particular. Also I am continuously inspired by the Japanese fashion designers such as Issey Miyake, Rei Kawakubo and Yoji Yamamoto."
Creative Process
"I mostly start by making notes and observational sketches, then I select the ones that I like and develop them further. Sometimes I construct directly on the dress stand, and at other times I make paper patterns. I have an idea which fabrics I will use for each design but this changes as I progress and I also work on more than one piece at a time -often each of them ending as a combination of two or more different initial ideas. I enjoy manipulating and combining unrelated fabrics and materials endlessly. The final result gives me a great buzz!"
A Stroll in Time:
1950
The straight sheath dresses were used during the day. The sheath dress was fitted and darted or contained a princess seam. Many early fifties garments contained a boat or jeweled neckline.
Michelle Dress-Ozzana
1950 Simplicity Pattern
1960
Mary Quant, Twiggy, and the mini skirt were popular in this period. The mini skirt mania began around 1966 then in 1967 it could be seen nationwide.
For improving the wear and performance of a fabric or garment, synthetic yarns began being used with natural fibers. There was a huge global jump of production plants of synthetic fibers.
Organza Dress-Ozzana
Viola Sybert-late 1960s
1970
This period brought a freedom to women's dress that had never been seen before. With easier travel we were exposed to various fashions of other countries. We began seeing vast types of exotic fabrics which contained detailing such as, garments with edged decor in silver, gold or other metallic embroidered.
Pewter Dress-Ozzana
Evening Dress-Madame Gres 1977
Etsy Shop
"After reading an article about Etsy in 'Guardian' Newspaper back in November 2008 I decided to open up a shop. I like working from home – it fits perfectly with my other commitments and most of all I love being my own boss! "
Make sure you stop by Ozzaa's shop for more amazing creations, including some wonderful digital images! Wow!
"I personally do not like making the same thing over and over again - uniqueness is my philosophy." Ozzana
Leaving my sewing machine I flew into Italy. A few months after arrival I purchased a machine. It sure is better then hand-stitching everything. Unfortunately it was reasonable priced beginners machine.
I have been using it for about two years now. A few days ago I stumbled upon this website. And what do you know they are having a contest in which the winner will receive a new Singer sewing machine!!
With this in mind I took a stroll in the mercato early Saturday morning. I purchased two silk scarves, one is green with a white floral print, the other is more of a medium green with a wonderful texture of pleating! Both are nice because they have that sheer wispy feel!
My only thought is to construct a swimsuit cover which can be worn during a brunch, then removed to enjoy the beach. After some research, which I have included some of my favorite summer 2009 designs.
I began cutting and draping. My goal is to win that new machine!
Wish me luck! Off I go!
Argentovivo
Jean Paul Gaultier- Soleil
Missoni Mare
Emilio Pucci 
Photos- http://www.yoox.com/
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Featured Artist-
Efia Fair
Petersons- Feb. 1877
Inspiration
Efie is mostly inspired by nature, she said:
"Nature - flowers and birds and landscapes. Color is a huge inspiration for me, I have always LOVED the endless array of colors in this world, and as a designer I enjoy playing with color combinations until I see one that clicks for me. Also, I am inspired by my supplies! Yarns, fabrics, buttons and ribbons really get my imagination going."
Creative Process
Her inspiration continues in her creative process:
"I usually pick out my materials and go from there. Sometimes I have in mind exactly what I will create, and other times it is truly a process that surprises me, developing as I go along. A lot of times I find myself working on several projects at once."
A Stroll in Time:
Romantic Era
The V-pointed bodice waistline was vastly prominent in the Romantic Era, it was a change from the round waistlines. Short gloves were worn in the day to match one's dress, or attire. Along with short , long gloves to reach ones sleeve were used for night attire. At this time we began to see women's sleeves billowing out in huge gigot sleeves.
Bejeweled Thunder Luxe Mitts-EfiaFair
Mitts- 1830's Kyoto Archive
Victorian
The sewing machine arrived in 1860. Along with synthetic dyes, and couture houses began. The late-Victorian era brought the hour-glass figure, soon to be the S-bend shape soon to arrive in Edwardian corsetry.
Mojito Necklet-EfiaFair
Ball gown- 1909
Mid-19th Century
Women were began to wear tailored jacket fashion. The fullness of the skirt began to fall into pleats as the bustle was beginning to disappear. In 1893, the bustle softened until only a small pad was left.
Day dress-Gustave Beer-1895Both blouses are completed and delivered to the happy client!
It took me a little longer to complete and deliver the second blouse because I was unable to schedule a fitting with my client sooner. Because I had a limited amount of fabric, and it was a would be difficult to attain more fabric, I did not want to complete the seams entirely until after our fitting.
All went wonderfully well in our fitting, so I was then able to finish the blouse. It was delivered to the customer this past weekend!
As you can see from the picture, the two embroidery pieces were postitoned on the front of the blouse this time. This design was something I found in a magazine which I felt would work perfectly with the fabric.
Drafting the pattern was very enjoyable. I begin by flat-patten drafting it, then for the front and back collar bit I found it easier draping it in muslin for the patten pieces. It is four pieces, the two fronts, one back, and a small center back piece for the collar at the neck.
The back contains a nice clean, finish! 
The client was wonderfully satisfied! I was as well, especially with the fact that the client was happy and both designs were completely different.
Now I am off to find another challenging project!!
Note: For part one of this project you can take a look at my May 1st post.
Extra: Reproduced Skirt
The client I produced the blouses for also had a skirt that had been made for her some time ago by the seamstress she has used for many years. The skirt was made of a beautiful mutted rose out of a wool blend material.
When the skirt was made for, she didn't have a specific design in mind. Her seamstress produced an a-line skirt using most if not all the fabric. My client was slightly unhappy with it.
She had another skirt, pictured below in velour which she really liked the fit and design, she asked me to to convert the a-line skirt to that of her velour skirt design.
This is what her new skirt looks like! 
The skirt is basically made out of swirls of fabric. At first I thought, it's simple, I will just draft the pattern. I realized it was much easier to drape layers of muslin following the various sections.
It is made of five pieces and a waistband with a zipper in the center back. Each of the sections, or pieces begin on the straight of grain and swirl around until they reach bottom of the hem. This is a wonderful pattern to add to my collection!
Below:
On the left, original velour skirt front. On the right, her new skirt front.
